|Interprète:||Mozart - Richard Tognetti, Australian Chamber Orchestra|
|Titre:||Violin Concertos 1, 2 & 4 · Rondo In C · Adagio In E|
|1||Violin Concerto No. 4 In D Major, K 218||(20:46)|
|2||III. Rondeau. Allegro||4:12|
|3||I. Allegro Moderato||7:00|
|4||II. Andante Cantabile||5:52|
|6||III. Rondeau. Andante Grazioso - Allegro Ma Non Troppo||6:35|
|7||Violin Concerto No. 1 In B Flat Major, K 207||(19:11)|
|9||I. Allegro Moderato||8:29|
|10||Rondo In C Major For Violin And Orchestra, K 371||5:27|
|11||Violin Concerto No. 2 In D Major, K 211||(18:37)|
|12||Adagio In E Major For Violin And Orchestra, K 261||6:47|
DSD layer: Stereo, Multichannel 5.0
Recorded February 2010.
Includes 32 page booklet.
Packaged in standard Jewel case.
The Australian Chamber Orchestra has made an impression worldwide with its concert appearances, featuring a group of energetic young players who stand up on-stage and bring a desirable physicality to performances of music from the Baroque to the 20th century. Mozart Violin Concerto No. 4 excerpt from Allegro ma non troppo performed by Richard Tognetti and the Australian Chamber Orchestra at. Richard Tognetti and the ACO have recorded all of Mozart's Violin Concertos for BIS. The Rondo in C for Violin and Orchestra, K. 373, was composed by Wolfgang Amadeus Mozart in April 1781. The rondo was likely written for Italian violinist Antonio Brunetti, who is known to have also requested both the Adagio in E and Rondo in B. The Rondo in C, however, was written years after the five numbered violin concertos. The work is scored for solo violin, two oboes, two horns and strings. The Rondo is marked Allegretto grazioso, and a performance typically lasts about 6 minutes. Mozart: The Violin Concertos - Simon Standage, The Academy of Ancient Music, Christopher Hogwood. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Everyday low prices and free delivery on eligible orders. Mozart's violin concertos, all composed in the same period in his early career, are not the most highly regarded part of his oeuvre, but in the hands of the Australian Chamber Orchestra and their charismatic leader Richard Tognetti, you wonder why. The ensemble s precision and energy make the three on this recording sound more like beefed-up string quartets, with all traces of gentility stripped away. Richard Tognetti, Australian Chamber Orchestra, Anthony Halstead 3. Richard Tognetti, Australian Chamber Orchestra J. Bach Violin Concerto No. 2 in E, BWVRichard Tognetti, Australian Chamber Orchestra, Anthony Halstead 3. Emmanuel PahudAustralian Chamber OrchestraRichard Tognetti Flute Concerto No. 4 in G Major, RV 2:28. Emmanuel PahudAustralian Chamber OrchestraRichard Tognetti Flute Concerto in D Major, RV 429 I. Australian Chamber Orchestra, Helena Rathbone, Richard Tognetti 1. 2 in E, BWV 1:49. Emmanuel PahudAustralian Chamber OrchestraRichard Tognetti Flute Concerto in D Major, RV 429 II. Mozart, Wolfgang Amadeus : Adagio for Violin and Orchestra in E major, K 261. Mozart, Wolfgang Amadeus : Concerto for Violin no 2 in D major, K. BBC Music Magazine Tognetti and the admirable Australian Chamber Orchestra aim at a synthesis between 'authentic' and modern performance styles of all, these are interpretations which take their point of departure from the music itself, more than from theories of what it might - or might not - have sounded like in Mozart's day. Classic FM Magazine Tognetti emphasises in his booklet note that his purely musical responses were governed not by dogma but sheer intuitiveness. Emmanuel PahudAustralian Chamber OrchestraRichard Tognetti - Flute Concerto No. 5 in F Major, RV 434: I. Allegro non molto 03:43. Australian Chamber Orchestra, Richard Tognetti - Beethoven: String Quartet In B Flat, - 3. Andante con moto ma non troppo. Poco scherzando 06:52. Australian Chamber Orchestra, Richard Tognetti - 3. Menuetto Allegretto - Trio 03:54. Solo Soloist Richard Tognetti. Orchestra Australian Chamber Orchestra. Completing the cycle of Mozarts violin concertos, begun on BISSACD1754, Richard Tognetti and his Australian Chamber Orchestra offer us the first, second and fourth concerto, along with two shorter works for violin and orchestra: the Adagio in E major and the Rondo in C major. All Mozarts works in this genre were written during a few years quite early in his career and demonstrate very clearly Mozarts tremendous development - the fourth concerto in particular displays the confidence of the composer both in handling his material and in teasing the audience with the narrative he creates